Tuesday, August 25, 2015

Adorno’s Nose

“Crisis is a convergence misinterpreted by mankind.”
      -Sadie Plant & Nick Land

The precariat sneeze
Carla's sleeveless
I'm already pink
Animating limbs
Machine parts
That act on dreams
Ergo, poetry is not enough
The better to inflict
‎What’s engineered
For predetermine‎d effect

Selfless organ
For chaotic play
Equally garbled
Toward touch
Waxed wing
Freed of napkin ideals
Single click diaspora
I fed pigeons into Ponzi schemes
Agreement where R > G
Fingers > fists
Legal props yield to
Surveillance of the fittest
This end up

Sunday, August 23, 2015

Wet Conceptualism (waterboard)

 "...where the pressure of the given fact bursts [its] concept…, one is obliged to invent another concept..."  -Simone de Beauvoir

morbid appearance
‎What eyesores do

when we fake
pernicious drift

Beyond epigraph
One is obliged
To invent

Too drunk to pee
I saw the stars, son
They're upsetting

Living on mute
Don’t talk to me about Crows
how they fly

Foot in mouth
Some syndrome about the character
of web feet

Or how indirection
Sticks to teeth
Solved by maze

They came wearing berets
Fishing for shotgun shack
The new flesh committee

@Skagit logjam
Too studious
in fear of what a novice‎ might say

What revolts
in the simulated ring
‎of your phone

Each square
For circus equation
Each word against

Each onerous use
Each composite
The letters think they own

Saturday, August 22, 2015

Wet Conceptualism

The sarcasm meme
Tears & the litany of words

It all comes down to
All that is solid

Poems that are not poems
Poems that smuggle line breaks into tombs

& die in the arms of prose
Poems that follow horizon to vertical bluff

Hydraulic lift
To immoderate flow

Yes, meet me at listserv
Turn right at heroic MoMA

Chase the emergent props
Subject to the very object

that tracks how hegemonies
fall through our hands

Carpetbagger‎s of modernity
The posse which R US

Out of which we arrive Drooling
Too many flavors or only one

Pint of Boho Raspberry ‎
or Neopolitan‎ Dream

I love this litmus test
Compiling monotone from tricolore

Going deadpan at publicschool
Lost on the upworthy slope

Subject to props‎
to my two body  problem

Erased by a hat

Sunday, July 12, 2015

‎The Past Exonerative

  “Living in the past exonerative tense, as in 'mistakes were made'”

held together by dissent
by heterogeny
one concept a day

face first
freckled & wan

she wrote in Singlish
physical loops
learning to spit, to dance
to destroy horizon

Saturday, July 11, 2015

Wound of Spirit: Hegel's rotten body

"A writer who doesn't have a wound that's always open is no writer for me." -Canetti

"Hegel was never more wrong then when he wrote 'the wounds of the Spirit heal and leave no scars behind'." -Shaviro

Here, courtesy darkecologies is Zizek's attempt to get rid of Hegel's rotten body.  I want to say blah blah blah. That's also a Z quote.

Spirit’s return-to-itself creates the very dimension to which it returns. What this means is that the “negation of the negation ,” the “return-to-oneself” from alienation, does not occur where it seems to: in the negation of the negation, Spirit’s negativity is not relativized, subsumed under an encompassing positivity; it is, on the contrary, the “simple negation” which remains attached to the presupposed positivity it has negated, the presupposed Otherness from which it alienates itself, and the negation of the negation is nothing but the negation of the substantial character of this Otherness itself, the full acceptance of the abyss of Spirit’s self-relating which retroactively posits all its presuppositions. In other words, once we are in negativity, we can never leave it and regain the lost innocence of the origins; in the “negation of the negation” the origins are truly lost, their very loss is lost, they are deprived of the substantial status of that which has been lost. Spirit heals its wound not directly, but by getting rid of the full and sane Body into which the wound was cut. It is in this precise sense that, according to Hegel, “the wounds of the Spirit heal, and leave no scars behind.”  His point is not that Spirit heals its wounds so perfectly that, in a magical gesture of retroactive sublation, even the scars disappear; the point is rather that, in the course of the dialectical process, a shift of perspective occurs which makes the wound itself appear as its opposite— the wound itself is its own healing when seen from another standpoint.

Monday, May 25, 2015

Awesomist Manifesto

You are the boss of me
Widget of all widgets
‎The bestest mostest
Hostess with
The real hamburger
Car bomb
With the suds

‎I looked it up and they're speaking Arabic
The word was "philogeant"
One who loves everything on earth
Free associator extraordinaire!
Love your poetry war!
Pyromancy never felt so good
For the poor by the poor
Prerequisite for love
Our ghosts are well fed
And they'll show us the way
Just talk to the hand
Decorate wood
By burning it
Forest by forest

Saturday, May 23, 2015

DMZ Reading - 5-23 - Dowling Mancini Zaher

at: Gallery 1412

Saturday 23 May 2015 at 730p.  Free admission. Donations accepted. Books will be available for sale.

Gallery 1412 is at 1412 18th Avenue, just north of Union St on the east side of Capitol Hill in Seattle.

The reading features poets coming together across various borders for, among other things, a Seattle launch of Donato Mancini's Loitersack from New Star (Vancouver).

Loitersack is a labyrinthine commonplace book where critical, theoretical and paraliterary tendencies intersect in the forms of poetry, poetics, theory, theory theatre, laugh particles and many many questions.  

Sarah Dowling is the author of Down (Coach House), Security Posture and Birds & Bees. Sarah's poetry was included in the anthology I'll Drown My Book: Conceptual Writing by Women. She teaches at the University of Washington Bothell and is international editor at Jacket2.

Donato Mancini makes visual and procedural poetry, bookworks, and visual art. His main books are: SNOWLINE (2015), Buffet World, Fact 'N' Value, Æthel and Ligatures. Notable exhibitions of Mancini’s visual artworks have included exhibitions through Artspeak, Western Front, Gallery Atsui, Malaspina Printmaker's Society, and CSA. Mancini's published critical writing includes work on the archive, time and memory in Anamnesia: Unforgetting (2011), and a discourse analysis of poetry reviews in You Must Work Harder to Write Poetry of Excellence (2012).

Maged Zaher was born in Cairo, and currently lives in Seattle. He is the author of four books of poetry and the translator of an anthology of contemporary Egyptian poetry. He won the weekly Stranger's Genius award in literature in 2013.