Next AU reading includes Jonathan Katz's essay on John Cage's Queer Silence or How to Avoid Making Matters Worse - which raises questions about
modes of resistance, and intersects with Robin James thinking about how we
might resist being co-opted by the regime of neoliberalism.
Robin James: "The point
is to make signals that, when co-opted, skew the balance and bend the circuit-
sort of like retroviruses and malware. Critical delinquency generates noise
that isn't noisy in the "right" ways (and thus might not even
register as noise), queer noise that, when it gets co-opted, distorts the
processes it is supposed to support."
Cage via Katz:
"Protest movements could quite
easily, and despite themselves, lead in the opposite direction, to a
reinforcement of law and order.... protest is all too often absorbed into the
flow of power, because it limits itself to reaching for the same old mechanisms
of power, which is the worst way to challenge authority!"
"The goal is thus not to challenge
power, but to escape it.... what makes noise a noise is precisely its freedom
from an preordained conceptual or ideological system. Thus music permeates
culture, and our culture permeates music; change one and you change the
other."
Katz's essay on Cage also
suggests a tangent on Buddhism, which seems to lead toward Zizek's (somewhat
controversial) critique of Buddhism.
eg, Tim Morton: "I am nauseated by [Zizek's] repetition of asinine
Hegelianisms about buddhism. [But] I generally admire and respect what
Zizek has to say about anything. [And] I actually agree, from a certain point
of view, with what he says about buddhism: for example, as an indictment of
western New Age interpretations that are also intrinsic to certain eastern
forms of buddhism. I nevertheless completely disagree with the substance
of his arguments which are based on a common Hegelian misunderstanding of the
soteriological aims of buddhism."
All of this is perhaps unrelated to Jody Rosen's spectacular
essay on Eva Tanguay, the first rock star. Thinking of Attali's Noise,
Tanguay is perhaps an example of music as a herald of social change.
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